I. Evocation
II. Phantasm
III. Submersion
Abyss Lustre, composed for
Emma Resmini and Héloïse Carlean-Jones, begins with Evocation, with winding lines emerging from caliginous murmurings, and with a lyrical melody forming and fraying amidst a stark landscape. Phantasm swirls, flickers, and pulses, developing a four-note motive along with the winding figures from the first movement, and a memory of its melody. The motion grows increasingly turbulent until it reaches the thunderous climax that begins Submersion. From this zenith, the lyrical melody descends, sinking ever deeper until it returns to the void whence it emerged.