Please look through the list of works – it probably contains a piece or few for your instrument.
Sean William Calhoun composes music of vibrant harmonic colors, written with performers in mind. His music has been performed in various states, once in England, once in Germany, and once in Uzbekistan. His recent collaborations have included Fluctuations (for violin, bass clarinet, and marimba), composed for the trio F-PLUS, RE:Sound (for flute and clarinet), composed for the duo RE: New Music, Vim (for flute and violin), written for The Witches, Divisions and Diversions, written for saxophonist Zach Stern, Windrunner, Sonata for Flute and Piano, and Abyss Lustre (for flute and harp), written for flutist Emma Resmini, Filament Canopy (for harp and percussion), for the Sticks & Strings duo, and Branching, for the Omnibus Ensemble. His piece Edgedancer was premiered by the Peabody Wind Ensemble, conducted by Harlan Parker.
His percussion quartet In Chasms Deep was the winner of the Milieu Quartet's 2015 call for scores. He participated in the exchange program between the Blair School of Music and the Royal Academy of Music in London, in which he worked with violinist Peter Sheppard Skærved and composer David Gorton. The Blair School of Music commissioned Sean to compose a piece for their 50th anniversary gala concert in 2014, for which he wrote Divertimento. His piano trio Core was the winner of the 2013 Beethoven Club Composition Contest, and was performed at the Belvedere Chamber Music Festival. In 2013, he also attended the Wintergreen Summer Music Festival, where he studied with Robert Carl, Samuel Zyman, and Larry Alan Smith. In both 2011 and 2012, Sean was selected for the Tennessee Valley Music Festival Young Composers’ Forum, where his orchestral works Elegy and Coruscation were premiered, and where he studied with composer Robert J. Bradshaw.
Also a pianist, Sean frequently plays the music of his peers (and his own pieces), as well as other contemporary works.
Sean is currently pursuing a DMA in composition from the Eastman School of Music, where he is studying with David Liptak. He received his M.M. in Composition from Peabody Conservatory, where he studied with Michael Hersch, Amy Beth Kirsten, and Jason Eckardt, and his B.M. in Theory/Composition from the Blair School of Music at Vanderbilt University, where he studied with Michael Slayton, Michael Rose, and Stan Link.
Sean’s music may be found on Youtube and Soundcloud (or by checking the “Recordings” bit of this site), and his ramblings may be found on Facebook or, very rarely, Twitter. A high-quality headshot may be found and downloaded here. Credit for that photo as well as the one on this page go to Kelsey Ross.
Click on a work to read more about it
Implementation currently in progress; older works will be unresponsive
RE:Sound, for flute and clarinet (2017) – 13'
Abyss Lustre, for flute and harp (2017) – 13'
Fluctuations, for violin, bass clarinet, and marimba (2017) – 25'
Divisions and Diversions: four pieces and an encore for solo alto saxophone (2017) – 13'
Trellis, for chamber orchestra (2017) – 7'
Trellis is about soli — not unaccompanied soli, but points at which one instrument acts as the soloist of the ensemble. These vary from the conventionally virtuosic (such as the violin’s solo) to the more lyrical (such as the clarinet’s solo), and include two duos along the way (flute with bassoon, and both percussion together). Interspersed among these soli are swirling chords in the full ensemble.
Snowdrift, for harp and piano (2017) – 5'
Snowdrift takes the commonalities of the harp and piano to weave them around each other in similar patterns, while also bringing out their differences — the harp’s greater ease with harmonics and the piano’s greater ease with repeating notes, the harp’s softer attack and the piano’s wider range. It returns repeatedly to the floating harmony from which it begins, and to a reflective melody often split between the harp and piano.
Metamorphose, for solo flute (2017) – 4'
Sonatina for Clarinet and Piano (2017) – 8'
Sonatina for Baritone Saxophone and Piano (2016) – 7'
Filament Canopy, for harp and percussion (2016) – 17'
Gradients, for sinfonietta (2016) – 10'
Fred, for solo guitar (2016) – 3'30"
Silver Awareness, for flute quartet (2016) – 8'
Branching, for nay, chang, tanbur, string quartet, and double bass (2016) – 6'
Striation, for flute, violin, horn, and double bass (2016) – 7'30"
Two Movements for Two Winds and Two Brass, for oboe, clarinet, trumpet, and trombone (2016) – 5'
Close Enough, for two percussionists on identical sets of four different things (2016) – 4'30"
Vim, for flute and violin (2016) – 4'30"
Sonata for Flute and Piano (2016) – 23'
Light and Rain, for concert band (2016) – 6'
Obsidian, for two baritone saxophones, marimba, and piano (2015) – 14'
Much the Same Way That Ships Don't, for flute, violin, and piano (2015) – 4'
Through Knotted Space, for orchestra (2015) – 8'
Proximity, for flute and double bass (2015) – 8'
Diptych, for solo guitar (2015) – 10'
Spiraled Spires, for alto saxophone and piano (2015) – 8'30"
Conflux, for double woodwinds (flute, oboe, clarinet, bassoon), four horns, and optional percussion (2015) – 5'
Snow and Ash, for harp and strings (string orchestra, sextet, or piano reduction) (2015) – 9'
In Chasms Deep, for percussion quartet (2015) – 11'
Saxophone Quartet: Angles and Intersections (2015) – 14'
Windrunner, for flute and piano (2015) – 8'
An Invisible Titan, for bass trombone and wind ensemble (2014) – 12'
Dew and Glass, for flute and guitar (2014) – 6'30"
Suite for Solo Double Bass (2014) – 20'
Seed Bismuth, for soprano saxophone, violoncello, and piano (2014) – 6'
Tendrils Above, for solo flute (2014) – 6'30"
A Herald on the Wind, for trumpet and wind ensemble (or piano reduction) (2012-2014) – 9'
Coruscation, for orchestra (2012) or wind ensemble (2014) – 7'
Edgedancer, for wind ensemble (2014) – 5'
Laser Gazelle, for two baritone saxophones, contrabassoon, and bass trombone (2014) – 6'
Braid, for wind ensemble (2014) – 6'30"
Brass Quintet, for two trumpets, horn, trombone, and tuba (2014) – 10'
Divertimento, for clarinet, violin, violoncello, and piano (2013) – 6'30"
Departure, for solo piano (2013) – 3'
Sonata for Bassoon and Piano (2013) – 13'
Ascend, for wind ensemble (2013) – 8'
Trio for two violins and viola (2013) – 20'
Suite on C, for solo violoncello (2013) – 20'
Axis, for piano trio (2013) – 7'
Breath and Aura, for two violins, two violas, and violoncello (2013) – 9'30"
Fractured Dances, for solo violin (2013) – 8'
Suite for Trumpet and Harp (2013) – 11'
Gargoyle, for trombone quartet (2013) – 5'
Passacaglia for Orchestra (2013) – 7'
Pairings, for saxophone trio (ATBari) (2013) – 10'
Core, for piano trio (2013) – 7'
Clarinet Quartet, for three Bb clarinets and one bass clarinet (2012) – 17'
Swirls, for alto flute, violin, and harp (2012) – 6'
Suite for Solo Horn (2012) – 11'
Sonata for Viola and Piano (2012) – 24'
Tale for Solo Violin (2012) – 20'
Chiaroscuro, for solo harp (2012) – 8'
Escenas de Ecuador, for ten or eleven violins (2011) – 10'
Elegy for Orchestra (2011) – 7'
Words in Steel, for solo percussion (2011) – 5'
Caprice, for four harps (2011) – 4'
Winter's Breath, for violoncello and harp (2010) 4'30"
Sonatafor Flute and Piano
Suitefor solo double bass
Vimfor flute and violin
There are a few reasons you might wish to contact me:
1) You would like to play my music, and need the score/parts. I can provide those.
2) You have a question about my music. I have an answer.
3) You would like me to engrave music for you. I have Sibelius 6, and more knowledge of keyboard shortcuts than you.
4) You would like me to compose music for you. I have ideas, and the ability to compose quickly if necessary.
For all of those purposes, my e-mail address is ComposerAndPianist [at] gmail [dot] com.